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THE LEICA-M 90mm ƒ/4 ELMAR C

MONTERREY — I have shot tightly framed portraits of people since I began taking photos at age ten or eleven.  A certain style of naturalistic headshot, the subject fully aware and looking straight into the lens, has been a major element of my work for my entire photographic life.  I still have almost every negative I ever shot and though I hope I have learned a thing or two along the way, I am still rather happy with many of the portraits I took of my classmates, teachers, and family back in Junior High and High School.  

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THE SUNSPEL IAN FLEMING COLLECTION

 

Ian Fleming, the man who created quite possibly the most well-known spy in all of fiction, James Bond, famously favored Sea Island spun cotton. Sunspel has created an exclusive collection using just such a fabric, Caribbean-grown Sea Island cotton. This high-end collection is based directly on items Mr Fleming himself wore around his Jamaican Goldeneye retreat. From camp shirts to cardigans, colors include navy, sky blue, magnesium and samphire. LINK  FP

NISOLO

Outside the hustle of the downtown, tucked away in a small shop in a corner strip, is a showroom that hardly looks at home in the boot shop packed city of Nashville. While the Nash-Vegas strip may be packed with boot outlets, Nisolo takes a different approach. A clean, open spaced showroom filled with artisan jewelry and quality footwear, a minimalist storefront with a small friendly staff await you if you decide to visit Nisolo.

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ANNOUNCING THE KODACHROME CITIZEN ARCHIVE PROJECT

Andrew and I have a fondness for Kodachrome that often comes up in our discussions of films photography’s past and future. For my part, I never actually shot much of it. The first time I’d ever bought any was for my 2003 venture to the island nation of Haiti, and nearly all of the film I shot on that trip was stolen or lost coming back into the U.S., so I’ve never seen my own images on Kodachrome.

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THE NIKKOR 20mm ƒ/2.8

Maya Shaman conducts rituals in the cemetery in Chichicastenango, Guatemala. Nikon D800, AF Nikkor 20mm f/2.8D

Go wide!  Go wider!!  Go as wide as you can without going too wide!!!  This is how I think about the 20mm lens and, to be specific, the classic 20mm f/2.8 Nikkor in both auto and manual focus.  In my long experience with this lens — I have used it in its MF and AF versions as one of my primary working optics since around 2000 — I have found it to be a special lens in particular and generally as wide an angle as one can get without entering the realm of special effects.  Lenses wider than 20mm can come in handy for unique perspectives and situations, but rarely for every day use.

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THE 1959 CJ-5 RESTORE: PART 1

I’ve always wanted an old classic Jeep. Ever since I was a little boy and got my first Matchbox Jeep.  The model has changed throughout the years, it’s been a Scrambler, a CJ and even a Wagoneer, but the idea of bombing around town and trails in a proper classic Jeep has always been a dream.

In Sevierville Tenn, just a couple hours from Nashville was sitting a 1959 CJ-5, the price was right, the engine had just been rebuilt and it was surprisingly free of visible rust and damage, showing no signs of ever having lived a life off-road, it even came already equipped with manually locking hubs. This would be the perfect starting point for me to build the classic Jeep I’d always wanted….

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FILSON WORK GLOVES (GOATSKIN)

Filson makes a lot of excellent gear, from rifle cases to shirts, pants and duffle bags. They have a rich history as an American outfitter and a reputation for uncompromising quality, but gloves are an easy thing to get wrong.

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THE LEICA CL, WOULD OSKAR BE PROUD? PART 1


Every year millions flock to comic stores all over the country for an event called Free Comic Day. During this event parents and kids of all ages can get offerings from their favorite publishers for free. Special comics produced just for this event. Sometimes leading to major events, and sometimes a self-contained story just for this issue. And every year there are fans who go all out, dressing as Batman or the Ghostbusters and driving from shop to shop taking photos with kids and sometimes even the parents. This year while photographing the event for Worlds Greatest Comics in Westerville Ohio, I brought along the Leica CL and the L-Mount 23mm ƒ2 Summicron lens. FCD is a packed event, where comic shops are full, wall to wall of people of all sizes and ages. This was a great high energy event to test out the compact APS-C system from Leica….

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MY PANORAMIC IS A POINT AND SHOOT

A few years ago, in the last days of the common film era (CFA) and the beginning of the Age of Digital (AD), point and shoot film cameras were common items.  Even as the digital writing was on the virtual wall (for those who cared to look) the camera industry introduced an entire new format, the Advanced Photo System or APS.  The system used a self-contained, more or less idiot-proof cartridge designed to address various perceived problems with 35mm film.  It used a somewhat smaller negative (30.2mm x 16.7mm as opposed to 36mm by 24mm) (think APS-C sized sensors as opposed to “full-frame” sensors),  had no film leader and, among other features, nearly every APS camera could be easily switched between several aspect ratios. These were simply crop modes but they were briefly quite popular, so much so that many 35mm point and shoot models followed suit and added a panoramic mode.

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