When I bought a digital Leica I wanted a new lens to go with it. There was no question that this lens would be 50mm. I use other focal lengths (and have nothing against buying used optics) but, in this case, I wanted a new lens for the new camera. When I bought a Leica M6ttl in 2001, I briefly used an antique 50mm f/2 Summar, but was soon able to acquire well-used 50mm f/2 Summicron from the 1970s. I bought the Summar for $150 from an acquaintance and the second hand Summicron for $500 at the now sadly deceased F-Stop Camera in Akron, Ohio. That lens has served me well but, when I decided to buy the digital M-P 240, the Summicron was in for repairs. Anyway, I wanted a new lens for my new Leica and the M6 would be lonely and jealous if I confiscated its friend Summicron. I like to maintain harmony in my stable of cameras after all. Continue reading “The 50mm f/2 Zeiss Planar ZM”
In the mirrorless camera world smaller, lighter and packed with buttons is the trend. But with their pro end mirrorless camera, the SL, Leica decided to provide fewer buttons and go bigger and heavier than any other mirrorless camera in the 35mm format on the market. Milled from a solid block of aluminum, featuring as few buttons as possible with no labeling on any of them and an awkward power switch, the Leica SL seems to kick to the curb any feature commonplace or desired in a mirrorless system, with one exception. The EVF. DSLR users flock to Sony or Fuji for a smaller lighter system that is packed with features but doesn’t force them to make huge compromises in quality. Some users regret the move and some users are quite happy, but one thing they all agree on is lighter is better and they love the EVF. I even made the jump from DSLR to mirrorless to cut the weight. So why do I now find myself using the absolute heaviest mirrorless 35mm format option out there? Because of the EVF. More on that in a moment, lets first take a broader look at the Leica SL.
When news broke sometime ago that the majority shareholder of Impossible Project was also now the majority shareholder of Polaroid, rumors exploded. Our prediction? That the Impossible was indeed possible, Impossible Project was Polaroid. Not the pale version of the brand we’d come to know in recent years, but a rebirth of the instant film legend. Continue reading “The Impossible made Possible? Impossible Project now redirects to new Polaroid Originals site, and the Polaroid One Step 2”
There were times when our two years in Mumbai seemed an eternity. I knew the time would pass quickly, however, that every day, strange as it was, would crossfade into the next and that sooner, rather than later, we would be headed back to the airport, boarding a flight out, and that everything undone would most likely stay undone.
ARLINGTON — Of all the Leica M lenses out in the world, there is one in particular that does not seem to gets its due. That lens is the 35mm f/2.8 Summaron, a lens made from 1958-1974. Continue reading “The Leica Summaron 35/ƒ2.8 M”
Leica has unveiled their rumored update to the TL, the TL2. The heavens opened, light shined down through the clouds from those very same heavens upon this wondrous marvel from Germany. Well… Not really. Actually, it’s quite underwhelming. Although the TL2 features upgraded specs such as USB 3.0, 20 frames per sec, 4k video, the new 24 MP APS-C sensor and the Maestro II processor, the TL2 is still lacking the single most desired and requested feature in the TL… A built-in EVF.
Japan Camera Hunter Bellamy Hunt known for his love of film, released his own Street Pan B&W film awhile back, and that film has been a huge success. If you’ve been shooting this film and want to show off your love for it, Hunt has you covered. Available through his site is the new JCH X Thirdculture StreetPan Pin. The pin will only cost you ¥1,300, that’s about $11.50 in real money. (Link) FP
This is turning out to be a good year for film shooters, with multiple new films and Kodak even bringing back one of their legends. Rollei has now announced a new slide film, Rollei Vario Chrome. It’s a E-6 ASA 320 film that says it can be exposed anywhere between 200-400 speeds without any development adjustments. That would make it a rather versatile film suitable for a wide range of subjects.
We have a few rolls ordered, and will of course provide some samples when able, I’m sure you can look forward to seeing it featured by our friends over at Emulsive in the future as well. You can pre-order the film now through a few sites including Maco Direct and Camera Film Photo for around $9USD. The film is set to be released early July. FP
It may look like deepest Africa with fields stretching over rolling hills and wide open plains that resemble the Serengeti, but it is in fact The Wilds of Ohio. The Wilds is a nature preserve filled with African wildlife. Every so often, this wildlife refuge was home to an off road event exclusive to those who owned a Land Rover. We brought a Jeep. Continue reading “The Wilds – Year One”