THE FUJI X-PRO 2: THE MOST INNOVATIVE SYSTEM ON THE MARKET EVOLVED

There is no question that the Fuji X-Pro 1 was an incredible camera, innovative in ways that both the market and consumers didn’t see coming. But it was also riddled with annoying quirks. The hybrid optical EVF was revolutionary and alone made it the most innovative system to hit the market in a long time, but the early firmware included with the camera was buggy and the camera had issues with the autofocus system. These issues and the choice by Fuji to use the APS-C sensor led to many professionals and enthusiasts simply not taking the new Fuji system seriously. But in time Fuji would prove they were very serious, releasing firmware updates addressing user reported issues and designing a full lineup of fast best in class prime lenses as well as improved telephotos demanded by a quickly growing market.

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TRAVELS WITH LEICAS (AND THEIR FRIENDS THE NIKONS)


Mental Institution, Transcarpathia, Ukraine. Leica M6ttl, 50mm f/2 Summicron, Kodak 400CN.

By Andrew J. Tonn

MONTERREY–I was 11 or 12 years old and looking for my first camera.  My father told me, “Son, whatever type of camera you chose to be with is just fine with your mother and me just as long as it’s a Nikon.”

I had been perusing the centerfolds of camera magazines, ogling the Nikon bodies and yes, even the fine looking Olympus, Canon, Pentax, and Minoltas.  When my father was once looking to buy a camera, his photographic mentor Gino Rossi told him to buy the one he really wanted, to not compromise. My dad told me the same thing and what I really did want was a Nikon.  The others were pretty but they didn’t feel right for me. There was one caveat. I had read an article about Leicas and when I asked my dad about them he didn’t turn up his nose as he did at other brands. He said something about them being very good but too expensive — and for an 11-year-old about to spend his life savings of just over $100 that was the end of that.  I ended up buying a well-used Nikon FM black body. My dad gave me a 50mm Nikon f/1.8 E Series lens, since my life savings wouldn’t cover any optics, and that camera carried me years into the future — to work at newspapers and on my first international documentary assignments in Central America. Along the way it was joined by a Nikon F3 and a few other lenses, most notably the Nikkor 20mm f/2.8.  Finally, the old FM and the newer F3 were joined by a brand new Leica M6ttl. That my introduction to the M system and this is the story of that journey.

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LOCKED AWAY: THE ROSEVILLE PRISON

(Photo, Jef Price)

 

Recently I was given unprecedented access to the Roseville Prison. The prison is now privately owned and is closed off to the public, photographers, documenters, urban explorers, journalists or anyone else who wants to see this historical and supposedly haunted location up close.

Stories of people being chased away, arrested or shot at are the norm with a location such as this, but in the case of Roseville prison… The stories are true. Continue reading “LOCKED AWAY: THE ROSEVILLE PRISON”

FORCADO IN THE CORRIDA DE TOROS, CADEREYTA – NIKKOR AFS 70-300MM VR F/4.5-5.6 G

Forcado in the Corrida de Toros, Cadereyta, Nuevo Leon, Mexico. Nikkor AFS 70-300mm VR f/4.5-5.6 G on Nikon D800 shot at 122mm, f/4.8, 1/1,600 sec., ISO400

MUDDY BUDDY JEEP JAM ’18 AND THE FUJI X100F

When I set off to any event, I bring a camera I can trust, one that I’ve extensively used in the field and know is reliable. I’ve never used the Fuji X100F in the field as a primary, actually I’ve never done anything more than shoot a few photos and toss it back in my bag. It’s the only digital camera I took with me to cover the Muddy Buddy Jeep Jam 2018.

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THE LEICA-M 90mm ƒ/4 ELMAR C

MONTERREY — I have shot tightly framed portraits of people since I began taking photos at age ten or eleven.  A certain style of naturalistic headshot, the subject fully aware and looking straight into the lens, has been a major element of my work for my entire photographic life.  I still have almost every negative I ever shot and though I hope I have learned a thing or two along the way, I am still rather happy with many of the portraits I took of my classmates, teachers, and family back in Junior High and High School.  

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The 35mm f/2.5 Voigtlander Color Skopar

The oddly and charmingly named (but what Voigtlander is not oddly and charmingly named) 35mm Color Skopar is among the smallest and lightest 35mm lenses you can get in Leica M mount.  At around $500 new, it is also one of the least expensive. It is an excellent choice for your 35mm lens whether or not price is a consideration.

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THE PATH TO THE SUMMIT, AN EVEREST ADVENTURE

By Chris Urban

For years, going to Mount Everest was at the top of my bucket list.  I grew up reading my brother’s National Geographic magazines and watching the Discovery Channel, dreaming about exploring the Himalayas, going face to face against mother nature.  Since I didn’t have a spare $100,000 and a death wish, I knew I was going to have to settle for Everest Base Camp rather than the summit. While it’s not the top of The Mountain, going to Everest Base Camp is still no small feat, and required months of preparation.    Continue reading “THE PATH TO THE SUMMIT, AN EVEREST ADVENTURE”

THE WILDS or A JEEP AMONG LAND ROVERS

It may look like deepest Africa with fields stretching over rolling hills and wide open plains that resemble the Serengeti, but it is, in fact, The Wilds of Ohio. The Wilds is a nature preserve filled with African wildlife. Every so often, this wildlife refuge was home to an off-road event exclusive to those who owned a Land Rover. We brought a Jeep.

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