THE PATAGONIA DOWN COAT

Last week we brought you the Patagonia down vest review, this week we’re taking an in depth look at the newest Patagonia down coat. Patagonia is a legendary outdoors brand, I’m sorry to say however, that their down coat is far from legendary. Lets take a look at why.  Continue reading “THE PATAGONIA DOWN COAT”

BRIE LARSON, PHOTOGRAPHER & FEMALE LEAD OF KONG: SKULL ISLAND

I’m sitting here watching Kong Skull Island and I notice, as any photographer would, that actress Brie Larson really looks like she’s shooting that Leica. Sure enough she is! In fact, if you watch the film almost all of what we she her do looks great! That’s because while filming director  Jordan Vogt-Roberts had Brie Larson’s character carrying a real working Leica M3, with 35mm lens (it looked to be the 35/f3.5 Summaron we’re reviewing in a week or two!) and goggles.  Continue reading “BRIE LARSON, PHOTOGRAPHER & FEMALE LEAD OF KONG: SKULL ISLAND”

THE PATAGONIA DOWN SWEATER VEST

The Outdoor industry is always updating and changing it’s product lines to keep up with the changes made in technology and demands made by professional athletes. These days there is also the green factor. But these changes aren’t always in the best interest of the user. Some features are a industry standard for a reason, but in the interest of “better” design features will end up dropped or modified.

Here’s part 1 of a 3 part series examining the new line of down products from Patagonia. We’re going to look at Patagonia’s new designs fit, durability, if they meet industry standards, and of course report on how warm they are. Lets get to it! Continue reading “THE PATAGONIA DOWN SWEATER VEST”

NIKON LTM 35mm ƒ3.5 & 28mm ƒ3.5

The Nikon LTM glass, classic by any standard. But how good have they held up? This is what I set out to discover as I collected good examples of these lenses and got to work. Testing for the 35mm and 28mm was conducted on the Leica M9-Monochrome and Leica SL with Leica adaptors.  I was let down by the 50/f1.4, finding it to be very soft wide open and what’s the point in having fast glass if you can’t shoot it wide open?

Get ready, there’s a lot of images in this one!  Continue reading “NIKON LTM 35mm ƒ3.5 & 28mm ƒ3.5”

CINESTILL FILM 2 BATH CHEMS

Did you know CineStill film makes a special 2 step bath for developing color film? Because I didn’t and it looks pretty darn cool. My kit arrived not long ago and I’m fixing to try it out. In the mean time, here’s the details from their site along with a link. FP

Continue reading “CINESTILL FILM 2 BATH CHEMS”

THE LEICA M240 RETROSPECTIVE

Titled simply the M at the time of its release, it became known as the M240 and by a defiant few the M10. Of course Leica has since released their follow up to the “M” – the actual M10. We’d like to take this moment to express our annoyance over Leica’s numbering of the M system and that we feel the M10 is really the M11. There’s a lot of M240 reviews out there, filled with tech data and camera specs, so we’re going to get right into a retrospective on the M240. With now three full frame digital M platforms (the newest being the much praised, yet still unable to obtain M10) is the M240 still a viable option for the discerning photographer? Continue reading “THE LEICA M240 RETROSPECTIVE”

NIKON LTM 50mm ƒF1.4

The 50mm is still and always has been a staple of mine. Over 20+ years, I’ve never been without a decently fast 50mm. To say I was excited getting my hands on a mint Nikon LTM 50mm f1.4 without any flaws or dust, fungus etc in the glass, well excited would be an understatement.  Continue reading “NIKON LTM 50mm ƒF1.4”