Japan Camera Hunter Bellamy Hunt known for his love of film, released his own Street Pan B&W film awhile back, and that film has been a huge success. If you’ve been shooting this film and want to show off your love for it, Hunt has you covered. Available through his site is the new JCH X Thirdculture StreetPan Pin. The pin will only cost you ¥1,300, that’s about $11.50 in real money. (Link) FP
This is turning out to be a good year for film shooters, with multiple new films and Kodak even bringing back one of their legends. Rollei has now announced a new slide film, Rollei Vario Chrome. It’s a E-6 ASA 320 film that says it can be exposed anywhere between 200-400 speeds without any development adjustments. That would make it a rather versatile film suitable for a wide range of subjects.
We have a few rolls ordered, and will of course provide some samples when able, I’m sure you can look forward to seeing it featured by our friends over at Emulsive in the future as well. You can pre-order the film now through a few sites including Maco Direct and Camera Film Photo for around $9USD. The film is set to be released early July. FP
Kodak’s new extravagantly priced print magazine titled “Kodachrome” – has gone on backorder. Kodachrome is described as not being purely about film photography, but rather as something for everyone who “loves art, film and analog culture.” No update on when the next run of Kodachrome will ship out. Kodachrome is 71 pages and priced at $19.99 an issue. For some reason Kodak’s site wasn’t able to process our order, and we haven’t been able to get ahold of anyone at Kodak, so we will not be reviewing the magazine as we had originally planned. Response on Twitter has been varied, with some praising the new print from Kodak and others wishing it focussed more on photography and less on everything else. With another print run on the way, now would be a good time to get a order in and decide for yourself. (Link) FP
I will begin this review with the conclusion: there is no better all-around camera bag than the Domke F3x. Now continue reading to find out why. Or save yourself the time and just order one. Continue reading “DOMKE F3x”
The Nikon LTM glass, classic by any standard. But how good have they held up? This is what I set out to discover as I collected good examples of these lenses and got to work. Testing for the 35mm and 28mm was conducted on the Leica M9-Monochrome and Leica SL with Leica adaptors. I was let down by the 50/f1.4, finding it to be very soft wide open and what’s the point in having fast glass if you can’t shoot it wide open?
Get ready, there’s a lot of images in this one! Continue reading “NIKON LTM 35mm ƒ3.5 & 28mm ƒ3.5”
Titled simply the M at the time of its release, it became known as the M240 and by a defiant few the M10. Of course Leica has since released their follow up to the “M” – the actual M10. We’d like to take this moment to express our annoyance over Leica’s numbering of the M system and that we feel the M10 is really the M11. There’s a lot of M240 reviews out there, filled with tech data and camera specs, so we’re going to get right into a retrospective on the M240. With now three full frame digital M platforms (the newest being the much praised, yet still unable to obtain M10) is the M240 still a viable option for the discerning photographer? Continue reading “THE LEICA M240 RETROSPECTIVE”
The 50mm is still and always has been a staple of mine. Over 20+ years, I’ve never been without a decently fast 50mm. To say I was excited getting my hands on a mint Nikon LTM 50mm f1.4 without any flaws or dust, fungus etc in the glass, well excited would be an understatement. Continue reading “NIKON LTM 50mm ƒF1.4”