NIKON LTM 35mm ƒ3.5 & 28mm ƒ3.5

The Nikon LTM glass, classic by any standard. But how good have they held up? This is what I set out to discover as I collected good examples of these lenses and got to work. Testing for the 35mm and 28mm was conducted on the Leica M9-Monochrome and Leica SL with Leica adaptors.  I was let down by the 50/f1.4, finding it to be very soft wide open and what’s the point in having fast glass if you can’t shoot it wide open?

Get ready, there’s a lot of images in this one!  Continue reading “NIKON LTM 35mm ƒ3.5 & 28mm ƒ3.5”

THE LEICA M240 RETROSPECTIVE

Titled simply the M at the time of its release, it became known as the M240 and by a defiant few the M10. Of course Leica has since released their follow up to the “M” – the actual M10. We’d like to take this moment to express our annoyance over Leica’s numbering of the M system and that we feel the M10 is really the M11. There’s a lot of M240 reviews out there, filled with tech data and camera specs, so we’re going to get right into a retrospective on the M240. With now three full frame digital M platforms (the newest being the much praised, yet still unable to obtain M10) is the M240 still a viable option for the discerning photographer? Continue reading “THE LEICA M240 RETROSPECTIVE”

NIKON LTM 50mm ƒF1.4

The 50mm is still and always has been a staple of mine. Over 20+ years, I’ve never been without a decently fast 50mm. To say I was excited getting my hands on a mint Nikon LTM 50mm f1.4 without any flaws or dust, fungus etc in the glass, well excited would be an understatement.  Continue reading “NIKON LTM 50mm ƒF1.4”

THE WRITING ON THE WALL – LEICA SUMMARON-M 35mm ƒ3.5

Leica MM (CCD), M-Mount 35mm f3.5 at f4, ISO 800, SS 1/4000 FP (Photo by Jef Price)

Continue reading “THE WRITING ON THE WALL – LEICA SUMMARON-M 35mm ƒ3.5”