HOW TO BE A BETTER PHOTOG: SHOOT A PHOTO ESSAY

All Photos taken with a Leica M6ttl and a Leica 50mm f/2 Summicron on Kodak 400CN film.  All Photos from the photo essay, “The Faces of Transcarpathia.” By Andrew J. Tonn ©

MONTERREY — Most photographers have favorite subjects and preferred themes.  Some are obvious and others less so. One person shoots flowers and selfies. Another also photographs flowers and themselves but, as with any art, the subject is not always just the subject.  Robert Mapplethorpe’s beautiful black and white studies of calla lilies and tulips are far from ordinary photos of pretty flowers and Graciela Iturbide’s self-portraits are far more than another reflexive selfie.

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WRITE A PHOTO ESSAY, WIN A LEICA M4-P & LEICA M 50mm ƒ2 SUMMICRON LENS

So you want to be an M photographer right? But it’s really expensive! And it just seems so far out of reach! Almost every M photographer has been there. We understand, and it’s not easy for anyone starting out to get into the Leica M system. And many times when you do manage to get ahold of that M body, you have to buy one that looks like it’s seen a war and sometimes… It has. Then you have to figure out how to get your hands on a lens, more often than not you won’t be buying a Leica lens as your first lens. But we have you covered. We’ve partnered with our friends at World of photography in Columbus Ohio to award one lucky young photographer a mint Leica M4-P and 50/ƒ2 Summicron lens!

We want to hear your stories. Not only hear them, but publish them as well. 

How can you win? Simple. Do the work.

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The 35mm f/2.5 Voigtlander Color Skopar

The oddly and charmingly named (but what Voigtlander is not oddly and charmingly named) 35mm Color Skopar is among the smallest and lightest 35mm lenses you can get in Leica M mount.  At around $500 new, it is also one of the least expensive. It is an excellent choice for your 35mm lens whether or not price is a consideration.

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THE WILDS or A JEEP AMONG LAND ROVERS

It may look like deepest Africa with fields stretching over rolling hills and wide open plains that resemble the Serengeti, but it is, in fact, The Wilds of Ohio. The Wilds is a nature preserve filled with African wildlife. Every so often, this wildlife refuge was home to an off-road event exclusive to those who owned a Land Rover. We brought a Jeep.

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ANNOUNCING THE KODACHROME CITIZEN ARCHIVE PROJECT

Andrew and I have a fondness for Kodachrome that often comes up in our discussions of films photography’s past and future. For my part, I never actually shot much of it. The first time I’d ever bought any was for my 2003 venture to the island nation of Haiti, and nearly all of the film I shot on that trip was stolen or lost coming back into the U.S., so I’ve never seen my own images on Kodachrome.

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THE LEICA-M 90mm ƒ/4 ELMAR C

MONTERREY — I have shot tightly framed portraits of people since I began taking photos at age ten or eleven.  A certain style of naturalistic headshot, the subject fully aware and looking straight into the lens, has been a major element of my work for my entire photographic life.  I still have almost every negative I ever shot and though I hope I have learned a thing or two along the way, I am still rather happy with many of the portraits I took of my classmates, teachers, and family back in Junior High and High School.  

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MY PANORAMIC IS A POINT AND SHOOT

A few years ago, in the last days of the common film era (CFA) and the beginning of the Age of Digital (AD), point and shoot film cameras were common items.  Even as the digital writing was on the virtual wall (for those who cared to look) the camera industry introduced an entire new format, the Advanced Photo System or APS.  The system used a self-contained, more or less idiot-proof cartridge designed to address various perceived problems with 35mm film.  It used a somewhat smaller negative (30.2mm x 16.7mm as opposed to 36mm by 24mm) (think APS-C sized sensors as opposed to “full-frame” sensors),  had no film leader and, among other features, nearly every APS camera could be easily switched between several aspect ratios. These were simply crop modes but they were briefly quite popular, so much so that many 35mm point and shoot models followed suit and added a panoramic mode.

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JEEP JAMBOREE AT BADLANDS OFFROAD PARK 2018 UPDATE: DAY 1

It’s been a great first day and I’m about to collapse into a coma for the next 6 hours, so forgive me for being brief! Continue reading “JEEP JAMBOREE AT BADLANDS OFFROAD PARK 2018 UPDATE: DAY 1”

JEEP JAMBOREE AT BADLANDS OFFROAD PARK

Field Photographer is at the Jeep Jamboree in Indy! This is the 9th Badlands Jeep Jamboree, and I’ll be here all weekend with Yeti 1.  Continue reading “JEEP JAMBOREE AT BADLANDS OFFROAD PARK”

GUEST COMMENTARY FROM ROBERT POOLE: THE V2 VOIGTLANDER 15MM ULTRA WIDE

Photo © R. Poole, published with permission

The beast in question is the Voigtlander 15mm Ultra wide and taming it is as hard work as it is fun. If you’ve ever shot an ultra wide you’ll know what I mean and this lens is no exception, in fact when coupled with a Leica M9 it becomes even more difficult.  Continue reading “GUEST COMMENTARY FROM ROBERT POOLE: THE V2 VOIGTLANDER 15MM ULTRA WIDE”