KODAK’S NEW PRINT MAGAZINE KODACHROME GOES ON BACKORDER

Kodak’s new extravagantly priced print magazine titled “Kodachrome” – has gone on backorder. Kodachrome is described as not being purely about film photography, but rather as something for everyone who “loves art, film and analog culture.” No update on when the next run of Kodachrome will ship out. Kodachrome is 71 pages and priced at $19.99 an issue. For some reason Kodak’s site wasn’t able to process our order, and we haven’t been able to get ahold of anyone at Kodak, so we will not be reviewing the magazine as we had originally planned. Response on Twitter has been varied, with some praising the new print from Kodak and others wishing it focussed more on photography and less on everything else. With another print run on the way, now would be a good time to get a order in and decide for yourself. (LinkFP

WIN THIS! AETHER SHELTER PRIMALOFT, TOPO DESIGNS AND BLACK DIAMOND… UPDATED

Want your chance to win big with more than $300 worth of free gear? Including not only a Sherpa Aether Shelter Primaloft Hoodie, but a new Tobo Designs climbing rope strap, Black Diamond trucker cap and a 35mm film sampler including ADOX CHS 100, Silvermax, Cinestill 50 and 800 + more!

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BRIE LARSON, PHOTOGRAPHER & FEMALE LEAD OF KONG: SKULL ISLAND

I’m sitting here watching Kong Skull Island and I notice, as any photographer would, that actress Brie Larson really looks like she’s shooting that Leica. Sure enough she is! In fact, if you watch the film almost all of what we she her do looks great! That’s because while filming director  Jordan Vogt-Roberts had Brie Larson’s character carrying a real working Leica M3, with 35mm lens (it looked to be the 35/f3.5 Summaron we’re reviewing in a week or two!) and goggles.  Continue reading “BRIE LARSON, PHOTOGRAPHER & FEMALE LEAD OF KONG: SKULL ISLAND”

NIKON LTM 35mm ƒ3.5 & 28mm ƒ3.5

The Nikon LTM glass, classic by any standard. But how good have they held up? This is what I set out to discover as I collected good examples of these lenses and got to work. Testing for the 35mm and 28mm was conducted on the Leica M9-Monochrome and Leica SL with Leica adaptors.  I was let down by the 50/f1.4, finding it to be very soft wide open and what’s the point in having fast glass if you can’t shoot it wide open?

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CINESTILL FILM 2 BATH CHEMS

Did you know CineStill film makes a special 2 step bath for developing color film? Because I didn’t and it looks pretty darn cool. My kit arrived not long ago and I’m fixing to try it out. In the mean time, here’s the details from their site along with a link. FP

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THE LEICA M240 RETROSPECTIVE

Titled simply the M at the time of its release, it became known as the M240 and by a defiant few the M10. Of course Leica has since released their follow up to the “M” – the actual M10. We’d like to take this moment to express our annoyance over Leica’s numbering of the M system and that we feel the M10 is really the M11. There’s a lot of M240 reviews out there, filled with tech data and camera specs, so we’re going to get right into a retrospective on the M240. With now three full frame digital M platforms (the newest being the much praised, yet still unable to obtain M10) is the M240 still a viable option for the discerning photographer? Continue reading “THE LEICA M240 RETROSPECTIVE”

THE WRITING ON THE WALL – LEICA SUMMARON-M 35mm ƒ3.5

Leica MM (CCD), M-Mount 35mm f3.5 at f4, ISO 800, SS 1/4000 FP (Photo by Jef Price)

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