ANNOUNCING THE KODACHROME CITIZEN ARCHIVE PROJECT

Andrew and I have a fondness for Kodachrome that often comes up in our discussions of films photography’s past and future. For my part, I never actually shot much of it. The first time I’d ever bought any was for my 2003 venture to the island nation of Haiti, and nearly all of the film I shot on that trip was stolen or lost coming back into the U.S., so I’ve never seen my own images on Kodachrome.

Continue reading “ANNOUNCING THE KODACHROME CITIZEN ARCHIVE PROJECT”

THE NIKKOR 20mm ƒ/2.8

Maya Shaman conducts rituals in the cemetery in Chichicastenango, Guatemala. Nikon D800, AF Nikkor 20mm f/2.8D

Go wide!  Go wider!!  Go as wide as you can without going too wide!!!  This is how I think about the 20mm lens and, to be specific, the classic 20mm f/2.8 Nikkor in both auto and manual focus.  In my long experience with this lens — I have used it in its MF and AF versions as one of my primary working optics since around 2000 — I have found it to be a special lens in particular and generally as wide an angle as one can get without entering the realm of special effects.  Lenses wider than 20mm can come in handy for unique perspectives and situations, but rarely for every day use.

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JEEP JAMBOREE AT BADLANDS OFFROAD PARK 2018 UPDATE: DAY 2

Day 2 at the Indy Jeep Jamboree! I love driving my Jeep, and I had a fantastic time day 1 at the Jamboree. But this being my first Jamboree it was difficult jumping in and out of my own rig all day while trying to capture photos of the event and really get a feel for the Jamboree. So here on day 2, I rode along with one of my fellow Jeepers (Thanks Eric!) so I could focus on capturing the event. Today we visited The Badlands rock quarry and ventured further into the woods through creek beds and rock gardens…  Continue reading “JEEP JAMBOREE AT BADLANDS OFFROAD PARK 2018 UPDATE: DAY 2”

JEEP JAMBOREE AT BADLANDS OFFROAD PARK 2018 UPDATE: DAY 1

It’s been a great first day and I’m about to collapse into a coma for the next 6 hours, so forgive me for being brief! Continue reading “JEEP JAMBOREE AT BADLANDS OFFROAD PARK 2018 UPDATE: DAY 1”

JEEP JAMBOREE AT BADLANDS OFFROAD PARK

Field Photographer is at the Jeep Jamboree in Indy! This is the 9th Badlands Jeep Jamboree, and I’ll be here all weekend with Yeti 1.  Continue reading “JEEP JAMBOREE AT BADLANDS OFFROAD PARK”

THE FIELD PHOTOGRAPHER SUMMER OF SWAG KICKS OFF JUNE 15TH!

We have a YUGE Summer planned for you, giving away tons of amazing prizes building up to your chance to get your hands on a mint Leica M4 with Leica 50mm Summicron ƒ2!  Continue reading “THE FIELD PHOTOGRAPHER SUMMER OF SWAG KICKS OFF JUNE 15TH!”

THE QUEST FOR THE PERFECT BOOT

A common topic of conversation between the three of us here at Field Photographer is that of the perfect boot. Not just the perfect pair of boots, but does such a thing even exist? And let’s say for just a moment that it does, what would it consist of? Countless hours have been spent between the 3 of us here on just this subject.  Continue reading “THE QUEST FOR THE PERFECT BOOT”

THE VOIGTLANDER 15MM F/4.5 SUPER-HELIAR V1

Sometimes you should listen to the voices in your head and sometimes you shouldn’t. Do not run with scissors in traffic. Do not befriend Nigerian royalty. Do not shave your head and climb that bell-tower. But if the voices are telling you to hang onto a particular lens, that someday you’ll figure out what it’s good for, and that someday you’ll figure out how to use it correctly, then listen.  Continue reading “THE VOIGTLANDER 15MM F/4.5 SUPER-HELIAR V1”

PRINT YOUR PHOTOS (PROBABLY A BETTER TITLE OUT THERE)

You shot your rolls of film, developed them or had them developed. You looked at the prints (or jewel-like slides)– the only way to look at your photos unless they were published — and decided which ones you liked. When you were learning photography you looked at the negatives and picked one. You held those little frames to the light or looked at them through a loupe over a light table. You made contact sheets and looked at those through a magnifying glass, at tiny windows into the worlds of your own past. They were full of mystery, tiny little scenes that you had chosen, burned into silver halide, glowing frames of silvery greys and blacks, the direct opposite of what you had seen. It was up to you to think about them, think about what you wanted. Then you had to turn the lights off, turn on the red light, fit that chosen frame into a holder, fit it into a larger frame, make decisions and then commit to it. You held your breath and pushed the button and the light came on, changing the photo paper invisibly, immediately, and forever. You took that piece of paper and slipped it beneath the developer. Again you held your breath, waiting, wondering. Would it come in a rush of overexposed blacks or a tentative, underexposed outline of whites and greys? Or had you calculated correctly when you committed light to the paper as you had when you opened the camera’s shutter to expose the film.  Continue reading “PRINT YOUR PHOTOS (PROBABLY A BETTER TITLE OUT THERE)”