WHEN TO HIRE A FIXER: A BASIC GUIDE – BY DANIEL GAREE & JESSICA RUTHERFORD

 

The world of documentary filmmaking (and photography) is a fast-paced environment that, more often than not, requires a good bit of travel. And more times than not I’m traveling to places where not only do I rarely know the streets but also the language. This is when hiring a local fixer makes all of the difference. Continue reading “WHEN TO HIRE A FIXER: A BASIC GUIDE – BY DANIEL GAREE & JESSICA RUTHERFORD”

VARANASI: IT IS THE BLACK HOURS BEFORE DAWN

(Photo, Andrew Tonn)

It is the black hours before dawn. The boat pushes out into the slow current. The ghats and towers of the ancient city are outlined with dim electric bulbs and small fires. Their glow creates a half circle of light over the river that fades into the black of the sky and the uninhabited sand-dunes of the other bank. It is quiet and I whisper to myself, “You are floating down the Ganges by the banks of Varanasi. You are here.” Continue reading “VARANASI: IT IS THE BLACK HOURS BEFORE DAWN”