You shot your rolls of film, developed them or had them developed. You looked at the prints (or jewel-like slides)– the only way to look at your photos unless they were published — and decided which ones you liked. When you were learning photography you looked at the negatives and picked one. You held those little frames to the light or looked at them through a loupe over a light table. You made contact sheets and looked at those through a magnifying glass, at tiny windows into the worlds of your own past. They were full of mystery, tiny little scenes that you had chosen, burned into silver halide, glowing frames of silvery greys and blacks, the direct opposite of what you had seen. It was up to you to think about them, think about what you wanted. Then you had to turn the lights off, turn on the red light, fit that chosen frame into a holder, fit it into a larger frame, make decisions and then commit to it. You held your breath and pushed the button and the light came on, changing the photo paper invisibly, immediately, and forever. You took that piece of paper and slipped it beneath the developer. Again you held your breath, waiting, wondering. Would it come in a rush of overexposed blacks or a tentative, underexposed outline of whites and greys? Or had you calculated correctly when you committed light to the paper as you had when you opened the camera’s shutter to expose the film. Continue reading “Print Your Photos (Probably a better title out there)”
I received the good news that Leica was fixing my Monochrome’s shutter, replacing the sensor glass, and giving the thing a general tune up. The additional good news was that it would all be free. The bad news was they estimated the repairs would take 18 to 20 weeks (and this 8 weeks after sending it in). Regardless, this gave me the green light to buy a bag for my Monochrome. I believe that every camera/camera system needs its own shoulder bag home suited to the way I use that camera. Every camera has an infrastructure that needs to be contained and organized along with items of more general utility that live in camera bags. If you use more than one type of camera and constantly swap cameras in and out of bags, then very soon you’ll find yourself trying to put a Nikon battery into a Leica or attach an M lens to an F mount or find yourself without a flashlight or pen at some critical moment. Continue reading “The Ona Bowery Leica Bag”
When I bought a digital Leica I wanted a new lens to go with it. There was no question that this lens would be 50mm. I use other focal lengths (and have nothing against buying used optics) but, in this case, I wanted a new lens for the new camera. When I bought a Leica M6ttl in 2001, I briefly used an antique 50mm f/2 Summar, but was soon able to acquire well-used 50mm f/2 Summicron from the 1970s. I bought the Summar for $150 from an acquaintance and the second hand Summicron for $500 at the now sadly deceased F-Stop Camera in Akron, Ohio. That lens has served me well but, when I decided to buy the digital M-P 240, the Summicron was in for repairs. Anyway, I wanted a new lens for my new Leica and the M6 would be lonely and jealous if I confiscated its friend Summicron. I like to maintain harmony in my stable of cameras after all.Continue reading “The 50mm f/2 Zeiss Planar ZM”
ARLINGTON — A few years ago I attended a seminar about keeping yourself safe overseas. It was taught by a genuine Bearded Tactical Guy (genus Hombre Sapiens Tacticus Barbus Americanus). I have no doubt he delivered a terrific amount of great information but I only had two major takeaways. First, the next time you are really, really, really hungry up in Nepal — like lost for a week or two in the Himalayas hungry — control yourself and don’t eat undercooked water buffalo when you finally stagger out of the hills. It can make you really, really, really sick. Really, that’s really a lot of reallys but don’t do it. Eat your water buffalo well done. Wait until you’re back at Longhorns to get the rare steak. The second thing was that there is underwear with pockets. In an aside, the instructor mentioned that you could carry some last ditch money, emergency numbers or such items in the pocket of your underpants. I mean, I’m a guy who loves pockets but I’d never even thought of having pockets on my skivvies. So, remember this, scouts: never eat undercooked water buffalo and there’s underwear with the ability to store more stuff than just your stuff.
There were times when our two years in Mumbai seemed an eternity. I knew the time would pass quickly, however, that every day, strange as it was, would crossfade into the next and that sooner, rather than later, we would be headed back to the airport, boarding a flight out, and that everything undone would most likely stay undone.
I will begin this review with the conclusion: there is no better all-around camera bag than the Domke F3x. Now continue reading to find out why. Or save yourself the time and just order one. Continue reading “Domke F3x Review”
A lot has happened since we launched FieldPhotographer.org April 15th, but it’s nothing compared to where we’re heading. This June you’re going to see more features and reviews, we’ll be launching our photographer interviews and we’ll be running our first giveaway! – Look for more info on that June 15th Continue reading “June Update”