Go wide! Go wider!! Go as wide as you can without going too wide!!! This is how I think about the 20mm lens and, to be specific, the classic 20mm f/2.8 Nikkor in both auto and manual focus. In my long experience with this lens — I have used it in its MF and AF versions as one of my primary working optics since around 2000 — I have found it to be a special lens in particular and generally as wide an angle as one can get without entering the realm of special effects. Lenses wider than 20mm can come in handy for unique perspectives and situations, but rarely for every day use.
MONTERREY — I have shot tightly framed portraits of people since I began taking photos at age ten or eleven. A certain style of naturalistic headshot, the subject fully aware and looking straight into the lens, has been a major element of my work for my entire photographic life. I still have almost every negative I ever shot and though I hope I have learned a thing or two along the way, I am still rather happy with many of the portraits I took of my classmates, teachers, and family back in Junior High and High School.
I’ve been using the Filson tool roll for a few months now, and we have a love-hate relationship.
Filson makes a lot of excellent gear, from rifle cases to shirts, pants and duffle bags. They have a rich history as an American outfitter and a reputation for uncompromising quality, but gloves are an easy thing to get wrong.
Every year millions flock to comic stores all over the country for an event called Free Comic Day. During this event parents and kids of all ages can get offerings from their favorite publishers for free. Special comics produced just for this event. Sometimes leading to major events, and sometimes a self-contained story just for this issue. And every year there are fans who go all out, dressing as Batman or the Ghostbusters and driving from shop to shop taking photos with kids and sometimes even the parents. This year while photographing the event for Worlds Greatest Comics in Westerville Ohio, I brought along the Leica CL and the L-Mount 23mm ƒ2 Summicron lens. FCD is a packed event, where comic shops are full, wall to wall of people of all sizes and ages. This was a great high energy event to test out the compact APS-C system from Leica….
Not too long ago I made the choice to go with GOBI (review coming later) for Yeti 1’s roof rack, not just because of the racks overall quality but because of the range of add-ons offered from GOBI. GOBI is a premium product that comes at a premium price. But how about the accessories?
Field Photographer is at the Jeep Jamboree in Indy! This is the 9th Badlands Jeep Jamboree, and I’ll be here all weekend with Yeti 1. Continue reading “JEEP JAMBOREE AT BADLANDS OFFROAD PARK”
The beast in question is the Voigtlander 15mm Ultra wide and taming it is as hard work as it is fun. If you’ve ever shot an ultra wide you’ll know what I mean and this lens is no exception, in fact when coupled with a Leica M9 it becomes even more difficult. Continue reading “GUEST COMMENTARY FROM ROBERT POOLE: THE V2 VOIGTLANDER 15MM ULTRA WIDE”
We have a YUGE Summer planned for you, giving away tons of amazing prizes building up to your chance to get your hands on a mint Leica M4 with Leica 50mm Summicron ƒ2! Continue reading “THE FIELD PHOTOGRAPHER SUMMER OF SWAG KICKS OFF JUNE 15TH!”
A common topic of conversation between the three of us here at Field Photographer is that of the perfect boot. Not just the perfect pair of boots, but does such a thing even exist? And let’s say for just a moment that it does, what would it consist of? Countless hours have been spent between the 3 of us here on just this subject. Continue reading “THE QUEST FOR THE PERFECT BOOT”