Part of our mission here at Field Photographer is to help our readers become better photographers. Both in person and from readers on-line, we are regularly asked for advice on how to become better with a camera. The following are five things anyone can do to improve their picture making ability. None of them are terribly complicated or very expensive. There are no cryptic, esoteric secrets involved. I don’t doubt that investing years of study and tens of thousands of dollars going to photography school would make you better than when you started (or maybe not, judging by some of what is currently in fashion from visual academia). I am advising neither for nor against formal education. What I am saying is that there are a number of things anyone who is truly interested in the art and craft of photography can do to become much better.
There is no question that the Fuji X-Pro 1 was an incredible camera, innovative in ways that both the market and consumers didn’t see coming. But it was also riddled with annoying quirks. The hybrid optical EVF was revolutionary and alone made it the most innovative system to hit the market in a long time, but the early firmware included with the camera was buggy and the camera had issues with the autofocus system. These issues and the choice by Fuji to use the APS-C sensor led to many professionals and enthusiasts simply not taking the new Fuji system seriously. But in time Fuji would prove they were very serious, releasing firmware updates addressing user reported issues and designing a full lineup of fast best in class prime lenses as well as improved telephotos demanded by a quickly growing market.
Recently I was given unprecedented access to the Roseville Prison. The prison is now privately owned and is closed off to the public, photographers, documenters, urban explorers, journalists or anyone else who wants to see this historical and supposedly haunted location up close.
When I set off to any event, I bring a camera I can trust, one that I’ve extensively used in the field and know is reliable. I’ve never used the Fuji X100F in the field as a primary, actually I’ve never done anything more than shoot a few photos and toss it back in my bag. It’s the only digital camera I took with me to cover the Muddy Buddy Jeep Jam 2018.
This weekend, right in Jeeps hometown where the legend is created, was the Toledo Jeep Fest. Thousands of Jeeps show up for 3 days of celebration of all things Jeep. From the Friday night headliner (this year it was KC & The Sunshine Band) to the collectible and historic Jeep show at the Seagate center and the parade with over 1600 Jeeps. The Toledo Jeep Fest is widely regarded as one of, if not the best, Jeep show in the nation. Saturday I got in my own Jeep, headed north and took the newly rereleased Leica 28/ƒ5.6 Summaron lens with the M10 along for the ride.
Andrew and I have a fondness for Kodachrome that often comes up in our discussions of films photography’s past and future. For my part, I never actually shot much of it. The first time I’d ever bought any was for my 2003 venture to the island nation of Haiti, and nearly all of the film I shot on that trip was stolen or lost coming back into the U.S., so I’ve never seen my own images on Kodachrome.
Every year millions flock to comic stores all over the country for an event called Free Comic Day. During this event parents and kids of all ages can get offerings from their favorite publishers for free. Special comics produced just for this event. Sometimes leading to major events, and sometimes a self-contained story just for this issue. And every year there are fans who go all out, dressing as Batman or the Ghostbusters and driving from shop to shop taking photos with kids and sometimes even the parents. This year while photographing the event for Worlds Greatest Comics in Westerville Ohio, I brought along the Leica CL and the L-Mount 23mm ƒ2 Summicron lens. FCD is a packed event, where comic shops are full, wall to wall of people of all sizes and ages. This was a great high energy event to test out the compact APS-C system from Leica….
Outside the hustle of the downtown, tucked away in a small shop in a corner strip, is a showroom that hardly looks at home in the boot shop packed city of Nashville. While the Nash-Vegas strip may be packed with boot outlets, Nisolo takes a different approach. A clean, open spaced showroom filled with artisan jewelry and quality footwear, a minimalist storefront with a small friendly staff await you if you decide to visit Nisolo.
I’ve had my 2012 Jeep JK for almost 2 yrs now, and one of the first things I did was swap out the front bumper and install the D-ring shackle mounts. These mounts bolt on directly through the bumper. The bolt goes in through the rear of the bumper, forward into the shackle mount. I tossed on a couple of Quadratec D-Rings and rode off into the sunset. Continue reading “QUADRATEC 5/8TH” D-RING SHACKLE”
A common topic of conversation between the three of us here at Field Photographer is that of the perfect boot. Not just the perfect pair of boots, but does such a thing even exist? And let’s say for just a moment that it does, what would it consist of? Countless hours have been spent between the 3 of us here on just this subject. Continue reading “THE QUEST FOR THE PERFECT BOOT”