I’ve been looking for a great trail knife for the Jeep for years, and I may have just found what I was searching for. I’ve previously used a classic KA-BAR but it was stolen awhile back so I’ve been open to new styles for the replacement.
After some searching, I decided to go back to KA-BAR and see they had in various styles. I’d heard the Becker had some great designs so I decided to check out their Combat Bowie. A full tang, lightweight, built like a tank, classic bowie shape that is surprisingly reasonably priced. Continue reading “The KA-BAR BK-9”
A common topic of conversation between the three of us here at Field Photographer is that of the perfect boot. Not just the perfect pair of boots, but does such a thing even exist? And let’s say for just a moment that it does, what would it consist of? Countless hours have been spent between the 3 of us here on just this subject. Continue reading “The Quest for the Perfect Boot”
In the mirrorless camera world smaller, lighter and packed with buttons is the trend. But with their pro end mirrorless camera, the SL, Leica decided to provide fewer buttons and go bigger and heavier than any other mirrorless camera in the 35mm format on the market. Milled from a solid block of aluminum, featuring as few buttons as possible with no labeling on any of them and an awkward power switch, the Leica SL seems to kick to the curb any feature commonplace or desired in a mirrorless system, with one exception. The EVF. DSLR users flock to Sony or Fuji for a smaller lighter system that is packed with features but doesn’t force them to make huge compromises in quality. Some users regret the move and some users are quite happy, but one thing they all agree on is lighter is better and they love the EVF. I even made the jump from DSLR to mirrorless to cut the weight. So why do I now find myself using the absolute heaviest mirrorless 35mm format option out there? Because of the EVF. More on that in a moment, lets first take a broader look at the Leica SL.
A staple of mine is the Filson Feather cloth shirt, I could live in this shirt. When the epaulets version was on closeout awhile back, even though they didn’t have my size left in stock, I ordered 4-5 of each color. Although the version with epaulets is sadly still not available, Filson has given us new colors and plaids, as well as the standard short sleeves version. As always Filson backs their wear with their lifetime warranty.
We’ll have a full review of the Feather Cloth Shirt coming up shortly, as our order of the new one should arrive this week. LINKFP
Here we are at last with our final entry in the Patagonia down series. We’ve taken a look at their new designs for both the down coat and vest, and have had some harsh words for them on the quality of their new products. Have we saved the best for last? Continue reading “The Patagonia Down Sweater”
Leica has unveiled their rumored update to the TL, the TL2. The heavens opened, light shined down through the clouds from those very same heavens upon this wondrous marvel from Germany. Well… Not really. Actually, it’s quite underwhelming. Although the TL2 features upgraded specs such as USB 3.0, 20 frames per sec, 4k video, the new 24 MP APS-C sensor and the Maestro II processor, the TL2 is still lacking the single most desired and requested feature in the TL… A built-in EVF.
The Outdoor industry is always updating and changing it’s product lines to keep up with the changes made in technology and demands made by professional athletes. These days there is also the green factor. But these changes aren’t always in the best interest of the user. Some features are a industry standard for a reason, but in the interest of “better” design features will end up dropped or modified.
Here’s part 1 of a 3 part series examining the new line of down products from Patagonia. We’re going to look at Patagonia’s new designs fit, durability, if they meet industry standards, and of course report on how warm they are. Lets get to it! Continue reading “The Patagonia Down Sweater Vest Review”
The Nikon LTM glass, classic by any standard. But how good have they held up? This is what I set out to discover as I collected good examples of these lenses and got to work. Testing for the 35mm and 28mm was conducted on the Leica M9-Monochrome and Leica SL with Leica adaptors. I was let down by the 50/f1.4, finding it to be very soft wide open and what’s the point in having fast glass if you can’t shoot it wide open?