The Leica 90mm Elmar C

MONTERREY — I have shot tightly framed portraits of people since I began taking photos at age ten or eleven.  A certain style of naturalistic headshot, the subject fully aware and looking straight into the lens, has been a major element of my work for my entire photographic life.  I still have almost every negative I ever shot and though I hope I have learned a thing or two along the way, I am still rather happy with many of the portraits I took of my classmates, teachers, and family back in Junior High and High School.  

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Via Crucis

I have been working as a documentary photographer off and on in Latin America for over 15 years. Some of my favorite memories and images have come during Holy Week, Semana Santa. I have photographed these incredible expressions of faith on three previous occasions in Central America. First in Antigua, Guatemala, then in Santa Rosa de Copan, Honduras, and last in Santiago de Atitlan, Guatemala. All of these were marked by procession all day and night, intricate carpets of flowers laid out on the streets, the dirge-like antique music of marching orchestras, the stations of the cross and other reenactments of the crucifixion and resurrection.  Continue reading “Via Crucis”

The Fuji X-Pro 2: The Most Innovative System On The Market Evolved

There is no question that the Fuji X-Pro 1 was an incredible camera, innovative in ways that both the market and consumers didn’t see coming. But it was also riddled with annoying quirks. The hybrid optical EVF was revolutionary and alone made it the most innovative system to hit the market in a long time, but the early firmware included with the camera was buggy and the camera had issues with the autofocus system. These issues and the choice by Fuji to use the APS-C sensor led to many professionals and enthusiasts simply not taking the new Fuji system seriously. But in time Fuji would prove they were very serious, releasing firmware updates addressing user reported issues and designing a full lineup of fast best in class prime lenses as well as improved telephotos demanded by a quickly growing market.

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Jeep Jamboree at Badlands Offroad Park 2018 Update: Day 2

Day 2 at the Indy Jeep Jamboree! I love driving my Jeep, and I had a fantastic time day 1 at the Jamboree. But this being my first Jamboree it was difficult jumping in and out of my own rig all day while trying to capture photos of the event and really get a feel for the Jamboree. So here on day 2, I rode along with one of my fellow Jeepers (Thanks Eric!) so I could focus on capturing the event. Today we visited The Badlands rock quarry and ventured further into the woods through creek beds and rock gardens…  Continue reading “Jeep Jamboree at Badlands Offroad Park 2018 Update: Day 2”

Jeep Jamboree at Badlands Offroad Park 2018 Update: Day 1

It’s been a great first day and I’m about to collapse into a coma for the next 6 hours, so forgive me for being brief! Continue reading “Jeep Jamboree at Badlands Offroad Park 2018 Update: Day 1”

Jeep Jamboree at Badlands Offroad Park

Field Photographer is at the Jeep Jamboree in Indy! This is the 9th Badlands Jeep Jamboree, and I’ll be here all weekend with Yeti 1.  Continue reading “Jeep Jamboree at Badlands Offroad Park”

Guest Commentary from Robert Poole: The V2 Voigtlander 15mm Ultra wide

Photo © R. Poole, published with permission

The beast in question is the Voigtlander 15mm Ultra wide and taming it is as hard work as it is fun. If you’ve ever shot an ultra wide you’ll know what I mean and this lens is no exception, in fact when coupled with a Leica M9 it becomes even more difficult.  Continue reading “Guest Commentary from Robert Poole: The V2 Voigtlander 15mm Ultra wide”

The Field Photographer Summer of SWAG Kicks off June 15th!

We have a YUGE Summer planned for you, giving away tons of amazing prizes building up to your chance to get your hands on a mint Leica M4 with Leica 50mm Summicron ƒ2!  Continue reading “The Field Photographer Summer of SWAG Kicks off June 15th!”

The Voigtlander 15mm f/4.5 Super-Heliar V1

Sometimes you should listen to the voices in your head and sometimes you shouldn’t. Do not run with scissors in traffic. Do not befriend Nigerian royalty. Do not shave your head and climb that bell-tower. But if the voices are telling you to hang onto a particular lens, that someday you’ll figure out what it’s good for, and that someday you’ll figure out how to use it correctly, then listen.  Continue reading “The Voigtlander 15mm f/4.5 Super-Heliar V1”

The Ona Bowery Leica Bag

Bag shown with optional Leica M, Photo A. Tonn

I received the good news that Leica was fixing my Monochrome’s shutter, replacing the sensor glass, and giving the thing a general tune up.  The additional good news was that it would all be free.  The bad news was they estimated the repairs would take 18 to 20 weeks (and this 8 weeks after sending it in).  Regardless, this gave me the green light to buy a bag for my Monochrome.  I believe that every camera/camera system needs its own shoulder bag home suited to the way I use that camera.  Every camera has an infrastructure that needs to be contained and organized along with items of more general utility that live in camera bags.  If you use more than one type of camera and constantly swap cameras in and out of bags, then very soon you’ll find yourself trying to put a Nikon battery into a Leica or attach an M lens to an F mount or find yourself without a flashlight or pen at some critical moment.  Continue reading “The Ona Bowery Leica Bag”