The 7 Artisans 18mm f/6.3 UFO Lens: a Glorious Point and Shoot in the Digital Age

This amazing and affordable little focus-free lens turns any digital camera into a gloriously trouble free point and shoot like those of days gone by.

GUATEMALA CITY–Behold the amazing oddity that is the 7 Artisans 18mm f/6.3 UFO lens mounted on a Fuji X-Pro 1. Photo taken with a Fuji XT-4 and a 35mm f/2 Fujinon.

GUATEMALA CITY — It’s a little-known fact that when Cindy Lauper sang her iconic 1983 hit, “Girls Just Want to Have Fun,” she was lamenting how her second career as a photojournalist, a career that had led her to cover the Iran Hostage Crisis and the early stages of the Soviet invasion of Afghanistan, left her little time to simply enjoy the pursuit of photography and her love of music.

MONTERRICO — Red head, black sand, white foam, blue sky and water. Looking out over the Pacific Ocean from the beaches of Monterrico, Guatemala. 7 Artisans 18mm f/6.3 UFO lens on Fuji X-Pro 1.

So, yeah, I just made that up completely out of Wednesday-morning boredom but hey, you read it on the Internet so it must be true.  But I was, quite honestly, thinking about having fun, about the lack of it, about how our deep and serious pursuits (and what seems like an increasing inability to simply have fun) has led the world to some pretty dark places.  I think the general public’s reflexive, addictive need to document everything, every meal, every meeting, every little moment where we used to have space to disconnect, is a large part of that.  And somehow we still end up with no actual pictures.  Instead of having a few snapshots acting as touchstones for memory and nostalgia, we have what amounts to stop-motion movies of our entire lives, movies that are increasingly complete as people take more photos and videos, start using dashcams, bodycams, and action cams that record automatically, film every mundane moment with a cam on a selfie stick, reflecting their own images back to themselves in an endless feedback loop that leaves less and less time to actually live life.  It’s a terrible thing, a strange and brutal way to live where nothing is experienced for what it is and simultaneously, we have created a record whereby nothing can be forgotten.

MONTERRICO — Why are the Piña Coladas always gone? Out of focus up close, everything sharp in the background. 7 Artisans 18mm f/6.3 UFO lens on Fuji X-Pro 1.

So that’s why I am going to convince you to buy another lens!

You see, this lens is different…  This lens is fun!

This is the 7 Artisans 18mm f/6.3 UFO lens and if just saying that isn’t fun enough, you can buy it for about $62.00.  It looks sort of like a flying saucer.  It weighs only a few ounces, it’s the size of a lens cap, it has no moving parts or electronics, is all metal and glass, and it actually works.

It works, mind you, within its particular parameters and in my opinion, does very well at that.  I have one mounted on a Fuji X-Pro 1 and I would like to get one for my first ever mirrorless camera, the Panasonic GF1.  And what this lens does best, I think, is turn a loved, senior digital camera into a glorious, worry (and focus) free point and shoot like we sometimes had back in the 80s and 90s (when we remembered to bring one).  You can put this on a small, mirrorless camera, slip it in a jacket or a bag, and pull it out every now and then to take sunlit pics on beaches and group photos in front of monuments or canyons and maybe a friend holding the Eiffel tower: pictures I am more thankful to have than any of the images I have published in newspapers or magazines or shown in galleries.  I do think the lens could well be used for certain styles of street photography, for documenting processions and parades and other public events, and perhaps for certain styles of art photography making use of the particular lens signature.  It certainly doesn’t take up much room or weight in your bag.  But I don’t think this is really what this lens is best suited for.  I think it’s best suited to just use on its own, to mount it to a dedicated, loved camera that has been languishing on a shelf, and to take it along just as it is, with no other lenses, no other cameras, and to, every now and then, remember (or not) and to take a picture (and print a picture) as a keepsake, as a memory of family and friends, because we have far too little fun in this world.  In short, this lens is something that lets you take intentional photos while at the same time relieving you of the responsibility and angst of fiddling with your settings.  Turn on camera, point, shoot, return to your life.  Look at the pictures later.

ANTIGUA — Payaso y Volcan. Ronald chills in the courtyard of the best McDonald’s in the world with Volcan de Agua rising in the background. Seriously, in addition to the amazing outdoor seating, this Golden Arches has the freshest, tastiest Big Macs I have ever eaten and old school deep fried apple pies for that sense of danger. 7 Artisans 18mm f/6.3 UFO lens on Fuji X-Pro 1.

The 7 Artisans 18mm f/6.3 UFO lens is focus free.  The manufacturer says it has a minimum distance of 0.35 meters, but I think it’s more like two meters.  You might have to remember to set your camera (I had to do this on both the X-Pro 1 and the XT-4) to “Shoot Without Lens,” in the menu.  On an APS-C sensor the focal length is approximately 27mm.  This is fine though to really have that classic point and shoot vibe I’d like to see a 40mm equivalent focal length.  You aren’t going to be taking any macro or tightly framed portraits with this one.  Subjects in the fore=ground might well be out-of-focus.  Who cares?  It vignettes a bit.  It is, particularly in the center, quite sharp enough, but with that particular glow that only a fixed-focus lens can achieve, a look that is drenched in sun and fun and the nostalgia of events best left mainly in memory and maybe one or three snapshots shared with friends that will fade a little over time, like the memories of that day, and like all the people who were there.

Out of the Mountains and Down to the Sea

MONTERRICO, GUATEMALA–Looking out to the Pacific. The coast of Guatemala feels like an entirely different world than the highlands. Fuji X-Pro1, 7 Artisans 18mm f/6.3
UFO lens

By Andrew J. Tonn

MONTERRICO — The road straightens out after the turns and twists of the highlands and it feels like you are sliding towards the coast down a palm-lined slide.  The change comes on suddenly.  You have fought the traffic to get free of Guatemala City and corkscrewed down the mountain.  You are in one environment and then you are in another.  Mountain trees give way to the vegetation of Central America’s low, hot plains.  When you roll down the windows the cool, thin air is now thick with heat and water and the smells of the coast.  Slow-water mangrove swamps, fish, sweat, palms, corn, coconut, salt, oil, smoke, and the sea.  Your hands relax on the wheel and your foot comes off the gas and the sun is a different kind of bright.

There is an enervating quality to the Guatemalan highlands.  They exist in a state of semi-dreaming, a relatively vast region of transition.  There are places where the vale between worlds seems thinner, where you feel the hand of the Creator and that you might step through to somewhere else if not careful.  I have felt this in Varanasi, in parts of the Navajo Nation, in Oaxaca, and once in a strange thicket of woods in central Ohio.  But the whole of the Guatemalan Highlands has this feel of being not entirely of the physical realm, a place of smoking volcanoes, water, and clouds between two vast continent, hot and fertile, cold and rocky, crushed into a narrow isthmian land by the fist of God Almighty.

You often don’t realize you have been living in this waking dream until you leave.  The sun in Antigua is hot and bright and will burn you like Icarus, so you stay to cool shadows.  Purple flowers fall from trees like rain.  The mountain nights grow cold and sometimes you see red lava glowing on black volcanoes.  The longer you spend at Lake Atitlan, the harder it is to escape.  You are deep in the crater of an ancient volcano, with the water filling it deeper still.  Every moment the clouds change, the surface of the lake changes, the wind brings a different feeling and after long, the act of packing up and finding transport and lifting oneself out of the caldera seems just a little too hard.  It is one of my favorite places but I determined long ago I would never be fully seduced by it.  It is not my native home nor do I desire to make it so.  It is my favorite place but I always feel an almost breathless relief upon leaving it, feel the spell of suddenly broken and it is later hard to remember exactly how it felt and what kept you in thrall.

So it is leaving the mountains for the coast.  When you see the palm trees and smell the sweet bitter salt of the ocean, you are free of the mountain’s glamour.  Under the mountain’s spell you seem relaxed but you are under an unrealized tension, existing in a liminal space where maybe we are not made to spend to long, at least not without surrender.  Maybe if you eat the lotus the tension will leave and you can stay on and on, forgetting year by year what came before until you too disappear into the mist.

A Single Photo: A Bucket of Baby Sea Turtles

MONTERRICO–A local Guatemalan NGO prepares to release hundreds of baby sea turtles into the Pacific Ocean. Note, this is a color photo. The baby turtles are all black and grey. Fuji XT-4 with 35mm f/2 Fujinon.