HOW TO BE A BETTER PHOTOG: SHOOT A PHOTO ESSAY

All Photos taken with a Leica M6ttl and a Leica 50mm f/2 Summicron on Kodak 400CN film.  All Photos from the photo essay, “The Faces of Transcarpathia.” By Andrew J. Tonn ©

MONTERREY — Most photographers have favorite subjects and preferred themes.  Some are obvious and others less so. One person shoots flowers and selfies. Another also photographs flowers and themselves but, as with any art, the subject is not always just the subject.  Robert Mapplethorpe’s beautiful black and white studies of calla lilies and tulips are far from ordinary photos of pretty flowers and Graciela Iturbide’s self-portraits are far more than another reflexive selfie.

Continue reading “HOW TO BE A BETTER PHOTOG: SHOOT A PHOTO ESSAY”

Advertisements

HOW TO BE A BETTER PHOTOG: THE PHOTO WALK

Photo by Andrew Tonn

Regardless of whether you are a seasoned professional, an avid amateur, or you just got your first camera last week, an excellent way to become a better photographer is to take photo-walks.  Walking, of and by itself: exploring a new city, a faraway island, a familiar old trail or a nearby neighborhood is one of life’s great pleasures with or without a camera. But this story is about photo walks and one walk in particular I took with my friend, the inimitable Sebastian John, one hot day over a year ago in Mumbai, India.  It was my last long walk in that city I called home for two years and similar to the first long walk I took by myself in Mumbai during the monsoon not long after we arrived. It was not quite as long as that watery hike, because Sebastian and I took our foray into Mumbai’s mad streets in the sweltering days just before the monsoon broke.  The heat in that time of year is very nearly hallucinatory. The temperature, combined with the crowds, humidity, smoke and noise, can only be completely appreciated by someone who has been there. Neither a thousand words nor a thousand photos can describe the reality of the streets of Mumbai.

Continue reading “HOW TO BE A BETTER PHOTOG: THE PHOTO WALK”

FORCADO IN THE CORRIDA DE TOROS, CADEREYTA – NIKKOR AFS 70-300MM VR F/4.5-5.6 G

Forcado in the Corrida de Toros, Caderneta, Nuevo Leon, Mexico. Nikkor AFS 70-300mm VR f/4.5-5.6 G on Nikon D800 shot at 122mm, f/4.8, 1/1,600 sec., ISO400

MUDDY BUDDY JEEP JAM ’18 AND THE FUJI X100F

When I set off to any event, I bring a camera I can trust, one that I’ve extensively used in the field and know is reliable. I’ve never used the Fuji X100F in the field as a primary, actually I’ve never done anything more than shoot a few photos and toss it back in my bag. It’s the only digital camera I took with me to cover the Muddy Buddy Jeep Jam 2018.

Continue reading “MUDDY BUDDY JEEP JAM ’18 AND THE FUJI X100F”

WRITE A PHOTO ESSAY, WIN A LEICA M4-P & LEICA M 50mm ƒ2 SUMMICRON LENS

DEADLINE REACHED 

WE ARE NO LONGER ACCEPTING ENTRIES

So you want to be an M photographer right? But it’s really expensive! And it just seems so far out of reach! Almost every M photographer has been there. We understand, and it’s not easy for anyone starting out to get into the Leica M system. And many times when you do manage to get ahold of that M body, you have to buy one that looks like it’s seen a war and sometimes… It has. Then you have to figure out how to get your hands on a lens, more often than not you won’t be buying a Leica lens as your first lens. But we have you covered. We’ve partnered with our friends at World of photography in Columbus Ohio to award one lucky young photographer a mint Leica M4-P and 50/ƒ2 Summicron lens!

We want to hear your stories. Not only hear them, but publish them as well. 

How can you win? Simple. Do the work.

Continue reading “WRITE A PHOTO ESSAY, WIN A LEICA M4-P & LEICA M 50mm ƒ2 SUMMICRON LENS”

HOW TO BE A BETTER PHOTOGRAPHER

Part of our mission here at Field Photographer is to help our readers become better photographers.  Both in person and from readers on-line, we are regularly asked for advice on how to become better with a camera.  The following are five things anyone can do to improve their picture making ability. None of them are terribly complicated or very expensive.  There are no cryptic, esoteric secrets involved. I don’t doubt that investing years of study and tens of thousands of dollars going to photography school would make you better than when you started (or maybe not, judging by some of what is currently in fashion from visual academia).  I am advising neither for nor against formal education. What I am saying is that there are a number of things anyone who is truly interested in the art and craft of photography can do to become much better.

Continue reading “HOW TO BE A BETTER PHOTOGRAPHER”

The 35mm f/2.5 Voigtlander Color Skopar

The oddly and charmingly named (but what Voigtlander is not oddly and charmingly named) 35mm Color Skopar is among the smallest and lightest 35mm lenses you can get in Leica M mount.  At around $500 new, it is also one of the least expensive. It is an excellent choice for your 35mm lens whether or not price is a consideration.

Continue reading “The 35mm f/2.5 Voigtlander Color Skopar”

THE PATH TO THE SUMMIT, AN EVEREST ADVENTURE

By Chris Urban

For years, going to Mount Everest was at the top of my bucket list.  I grew up reading my brother’s National Geographic magazines and watching the Discovery Channel, dreaming about exploring the Himalayas, going face to face against mother nature.  Since I didn’t have a spare $100,000 and a death wish, I knew I was going to have to settle for Everest Base Camp rather than the summit. While it’s not the top of The Mountain, going to Everest Base Camp is still no small feat, and required months of preparation.    Continue reading “THE PATH TO THE SUMMIT, AN EVEREST ADVENTURE”

ANNOUNCING THE KODACHROME CITIZEN ARCHIVE PROJECT

Andrew and I have a fondness for Kodachrome that often comes up in our discussions of films photography’s past and future. For my part, I never actually shot much of it. The first time I’d ever bought any was for my 2003 venture to the island nation of Haiti, and nearly all of the film I shot on that trip was stolen or lost coming back into the U.S., so I’ve never seen my own images on Kodachrome.

Continue reading “ANNOUNCING THE KODACHROME CITIZEN ARCHIVE PROJECT”

THE NIKKOR 20mm ƒ/2.8

Maya Shaman conducts rituals in the cemetery in Chichicastenango, Guatemala. Nikon D800, AF Nikkor 20mm f/2.8D

Go wide!  Go wider!!  Go as wide as you can without going too wide!!!  This is how I think about the 20mm lens and, to be specific, the classic 20mm f/2.8 Nikkor in both auto and manual focus.  In my long experience with this lens — I have used it in its MF and AF versions as one of my primary working optics since around 2000 — I have found it to be a special lens in particular and generally as wide an angle as one can get without entering the realm of special effects.  Lenses wider than 20mm can come in handy for unique perspectives and situations, but rarely for every day use.

Continue reading “THE NIKKOR 20mm ƒ/2.8”