Leica has unveiled their rumored update to the TL, the TL2. The heavens opened, light shined down through the clouds from those very same heavens upon this wondrous marvel from Germany. Well… Not really. Actually, it’s quite underwhelming. Although the TL2 features upgraded specs such as USB 3.0, 20 frames per sec, 4k video, the new 24 MP APS-C sensor and the Maestro II processor, the TL2 is still lacking the single most desired and requested feature in the TL… A built-in EVF.
I will begin this review with the conclusion: there is no better all-around camera bag than the Domke F3x. Now continue reading to find out why. Or save yourself the time and just order one. Continue reading “DOMKE F3x”
The Nikon LTM glass, classic by any standard. But how good have they held up? This is what I set out to discover as I collected good examples of these lenses and got to work. Testing for the 35mm and 28mm was conducted on the Leica M9-Monochrome and Leica SL with Leica adaptors. I was let down by the 50/f1.4, finding it to be very soft wide open and what’s the point in having fast glass if you can’t shoot it wide open?
Get ready, there’s a lot of images in this one! Continue reading “NIKON LTM 35mm ƒ3.5 & 28mm ƒ3.5”
Did you know CineStill film makes a special 2 step bath for developing color film? Because I didn’t and it looks pretty darn cool. My kit arrived not long ago and I’m fixing to try it out. In the mean time, here’s the details from their site along with a link. FP
Titled simply the M at the time of its release, it became known as the M240 and by a defiant few the M10. Of course Leica has since released their follow up to the “M” – the actual M10. We’d like to take this moment to express our annoyance over Leica’s numbering of the M system and that we feel the M10 is really the M11. There’s a lot of M240 reviews out there, filled with tech data and camera specs, so we’re going to get right into a retrospective on the M240. With now three full frame digital M platforms (the newest being the much praised, yet still unable to obtain M10) is the M240 still a viable option for the discerning photographer? Continue reading “THE LEICA M240 RETROSPECTIVE”
The 50mm is still and always has been a staple of mine. Over 20+ years, I’ve never been without a decently fast 50mm. To say I was excited getting my hands on a mint Nikon LTM 50mm f1.4 without any flaws or dust, fungus etc in the glass, well excited would be an understatement. Continue reading “NIKON LTM 50mm ƒF1.4”
Just some quick thoughts on the recently released SL 3.0 update. First, it went smoothly and seems to be running well. I’ve waited for this update before formally reviewing the SL and just glancing over the improvements, it seems that any issues I have had with the OS have been resolved. The biggest of which was the shutter speed limitations on manual lenses.
I shoot the Leica SL not just with the 24-90mm zoom, but with M glass. The limitations on shutter speed meant that I had to throttle down the ISO and in some cases use a ND filter to shoot with a fast aperture in bright light. One of the wonderful things about the SL is it’s extremely fast electronic shutter. That combined with the ISO speed of 50 means you should’ve been able to shoot very fast lenses like the 50/f1.4, 35/f1.4 or even the 50/f.95 in bright midday light wide open. However the SL limited your shutter speed with manual lens, making this feet impossible. Thankfully these shutter limits on manual limits are gone! Continue reading “IMPROVED AF TRACKING, MANUAL LENS ISO LIMIT REMOVED & MORE IN LEICA SL UPDATE 3.0”
The Sailor Strap. With a variety of colors from royal blue to olive and standard black, sturdy stainless steel rings to attached the strap and Italian leather they look great, but how do they perform with daily use? Continue reading “THE SAILOR STRAP”