TOLEDO JEEP FEST 2018 & THE LEICA 28/ƒ5.6 SUMMARON M RERELEASE

This weekend, right in Jeeps hometown where the legend is created, was the Toledo Jeep Fest. Thousands of Jeeps show up for 3 days of celebration of all things Jeep. From the Friday night headliner (this year it was KC & The Sunshine Band) to the collectible and historic Jeep show at the Seagate center and the parade with over 1600 Jeeps.  The Toledo Jeep Fest is widely regarded as one of, if not the best, Jeep show in the nation. Saturday I got in my own Jeep, headed north and took the newly rereleased Leica 28/ƒ5.6 Summaron lens with the M10 along for the ride.

Continue reading “TOLEDO JEEP FEST 2018 & THE LEICA 28/ƒ5.6 SUMMARON M RERELEASE”

The 35mm f/2.5 Voigtlander Color Skopar

The oddly and charmingly named (but what Voigtlander is not oddly and charmingly named) 35mm Color Skopar is among the smallest and lightest 35mm lenses you can get in Leica M mount.  At around $500 new, it is also one of the least expensive. It is an excellent choice for your 35mm lens whether or not price is a consideration.

Continue reading “The 35mm f/2.5 Voigtlander Color Skopar”

NISOLO

Outside the hustle of the downtown, tucked away in a small shop in a corner strip, is a showroom that hardly looks at home in the boot shop packed city of Nashville. While the Nash-Vegas strip may be packed with boot outlets, Nisolo takes a different approach. A clean, open spaced showroom filled with artisan jewelry and quality footwear, a minimalist storefront with a small friendly staff await you if you decide to visit Nisolo.

Continue reading “NISOLO”

THE NIKKOR 20mm ƒ/2.8

Maya Shaman conducts rituals in the cemetery in Chichicastenango, Guatemala. Nikon D800, AF Nikkor 20mm f/2.8D

Go wide!  Go wider!!  Go as wide as you can without going too wide!!!  This is how I think about the 20mm lens and, to be specific, the classic 20mm f/2.8 Nikkor in both auto and manual focus.  In my long experience with this lens — I have used it in its MF and AF versions as one of my primary working optics since around 2000 — I have found it to be a special lens in particular and generally as wide an angle as one can get without entering the realm of special effects.  Lenses wider than 20mm can come in handy for unique perspectives and situations, but rarely for every day use.

Continue reading “THE NIKKOR 20mm ƒ/2.8”

THE LEICA-M 90mm ƒ/4 ELMAR C

MONTERREY — I have shot tightly framed portraits of people since I began taking photos at age ten or eleven.  A certain style of naturalistic headshot, the subject fully aware and looking straight into the lens, has been a major element of my work for my entire photographic life.  I still have almost every negative I ever shot and though I hope I have learned a thing or two along the way, I am still rather happy with many of the portraits I took of my classmates, teachers, and family back in Junior High and High School.  

Continue reading “THE LEICA-M 90mm ƒ/4 ELMAR C”

FILSON WORK GLOVES (GOATSKIN)

Filson makes a lot of excellent gear, from rifle cases to shirts, pants and duffle bags. They have a rich history as an American outfitter and a reputation for uncompromising quality, but gloves are an easy thing to get wrong.

Continue reading “FILSON WORK GLOVES (GOATSKIN)”

THE LEICA CL, WOULD OSKAR BE PROUD? PART 1


Every year millions flock to comic stores all over the country for an event called Free Comic Day. During this event parents and kids of all ages can get offerings from their favorite publishers for free. Special comics produced just for this event. Sometimes leading to major events, and sometimes a self-contained story just for this issue. And every year there are fans who go all out, dressing as Batman or the Ghostbusters and driving from shop to shop taking photos with kids and sometimes even the parents. This year while photographing the event for Worlds Greatest Comics in Westerville Ohio, I brought along the Leica CL and the L-Mount 23mm ƒ2 Summicron lens. FCD is a packed event, where comic shops are full, wall to wall of people of all sizes and ages. This was a great high energy event to test out the compact APS-C system from Leica….

Continue reading “THE LEICA CL, WOULD OSKAR BE PROUD? PART 1”

THE FUJI X-PRO 2: THE MOST INNOVATIVE SYSTEM ON THE MARKET EVOLVED

There is no question that the Fuji X-Pro 1 was an incredible camera, innovative in ways that both the market and consumers didn’t see coming. But it was also riddled with annoying quirks. The hybrid optical EVF was revolutionary and alone made it the most innovative system to hit the market in a long time, but the early firmware included with the camera was buggy and the camera had issues with the autofocus system. These issues and the choice by Fuji to use the APS-C sensor led to many professionals and enthusiasts simply not taking the new Fuji system seriously. But in time Fuji would prove they were very serious, releasing firmware updates addressing user reported issues and designing a full lineup of fast best in class prime lenses as well as improved telephotos demanded by a quickly growing market.

Continue reading “THE FUJI X-PRO 2: THE MOST INNOVATIVE SYSTEM ON THE MARKET EVOLVED”

GUEST COMMENTARY FROM ROBERT POOLE: THE V2 VOIGTLANDER 15MM ULTRA WIDE

Photo © R. Poole, published with permission

The beast in question is the Voigtlander 15mm Ultra wide and taming it is as hard work as it is fun. If you’ve ever shot an ultra wide you’ll know what I mean and this lens is no exception, in fact when coupled with a Leica M9 it becomes even more difficult.  Continue reading “GUEST COMMENTARY FROM ROBERT POOLE: THE V2 VOIGTLANDER 15MM ULTRA WIDE”