The KA-BAR BK-9

The Bk-9 shown sheathed with wood scales.
I’ve been looking for a great trail knife for the Jeep for years, and I may have just found what I was searching for. I’ve previously used a classic KA-BAR but it was stolen awhile back so I’ve been open to new styles for the replacement.

After some searching, I decided to go back to KA-BAR and see they had in various styles. I’d heard the Becker had some great designs so I decided to check out their Combat Bowie. A full tang, lightweight, built like a tank, classic bowie shape that is surprisingly reasonably priced.  Continue reading “The KA-BAR BK-9”

The Leica SL: The Best Worst Mirrorless Camera Ever?

In the mirrorless camera world smaller, lighter and packed with buttons is the trend. But with their pro end mirrorless camera, the SL, Leica decided to provide fewer buttons and go bigger and heavier than any other mirrorless camera in the 35mm format on the market. Milled from a solid block of aluminum, featuring as few buttons as possible with no labeling on any of them and an awkward power switch, the Leica SL seems to kick to the curb any feature commonplace or desired in a mirrorless system, with one exception. The EVF. DSLR users flock to Sony or Fuji for a smaller lighter system that is packed with features but doesn’t force them to make huge compromises in quality. Some users regret the move and some users are quite happy, but one thing they all agree on is lighter is better and they love the EVF. I even made the jump from DSLR to mirrorless to cut the weight. So why do I now find myself using the absolute heaviest mirrorless 35mm format option out there? Because of the EVF. More on that in a moment, lets first take a broader look at the Leica SL.

Continue reading “The Leica SL: The Best Worst Mirrorless Camera Ever?”

The Leica Summaron 35/ƒ2.8 M

The owner of Brittania & Company, one of the classic old Parsi restaurants in old Bombay. Leica M-P (Photo, Andrew Tonn ©)
ARLINGTON — Of all the Leica M lenses out in the world, there is one in particular that does not seem to gets its due.  That lens is the 35mm f/2.8 Summaron, a lens made from 1958-1974.  Continue reading “The Leica Summaron 35/ƒ2.8 M”

The Aether Shelter Hoodie Review

Aether first caught our attention years ago as a lifestyle brand with real world and performance sensibilities. Brands like Aether and NAU go a long way towards proving you don’t have to give up style to stay warm and dry on the trail. Their products feature a good fit, advanced or industry standard features and a lifetime guarantee. Although Aether is marketed primary as a lifestyle brand, it has a lot of the makings of an outdoors brand. Continue reading “The Aether Shelter Hoodie Review”

The Patagonia Down Coat Review

Last week we brought you the Patagonia down vest review, this week we’re taking an in depth look at the newest Patagonia down coat. Patagonia is a legendary outdoors brand, I’m sorry to say however, that their down coat is far from legendary. Lets take a look at why.  Continue reading “The Patagonia Down Coat Review”

Domke F3x Review

I will begin this review with the conclusion: there is no better all-around camera bag than the Domke F3x.  Now continue reading to find out why.  Or save yourself the time and just order one.  Continue reading “Domke F3x Review”

The Patagonia Down Sweater Vest Review

The Outdoor industry is always updating and changing it’s product lines to keep up with the changes made in technology and demands made by professional athletes. These days there is also the green factor. But these changes aren’t always in the best interest of the user. Some features are a industry standard for a reason, but in the interest of “better” design features will end up dropped or modified.

Here’s part 1 of a 3 part series examining the new line of down products from Patagonia. We’re going to look at Patagonia’s new designs fit, durability, if they meet industry standards, and of course report on how warm they are. Lets get to it! Continue reading “The Patagonia Down Sweater Vest Review”

Nikon LTM 35/f3.5 and 28/f3.5 Review

The Nikon LTM glass, classic by any standard. But how good have they held up? This is what I set out to discover as I collected good examples of these lenses and got to work. Testing for the 35mm and 28mm was conducted on the Leica M9-Monochrome and Leica SL with Leica adaptors.  I was let down by the 50/f1.4, finding it to be very soft wide open and what’s the point in having fast glass if you can’t shoot it wide open?

Get ready, there’s a lot of images in this one!  Continue reading “Nikon LTM 35/f3.5 and 28/f3.5 Review”

The Leica M240 Retrospective

Titled simply the M at the time of its release, it became known as the M240 and by a defiant few the M10. Of course Leica has since released their follow up to the “M” – the actual M10. We’d like to take this moment to express our annoyance over Leica’s numbering of the M system and that we feel the M10 is really the M11. There’s a lot of M240 reviews out there, filled with tech data and camera specs, so we’re going to get right into a retrospective on the M240. With now three full frame digital M platforms (the newest being the much praised, yet still unable to obtain M10) is the M240 still a viable option for the discerning photographer? Continue reading “The Leica M240 Retrospective”

The Nikon LTM 50mm f1.4 Lens Review

The 50mm is still and always has been a staple of mine. Over 20+ years, I’ve never been without a decently fast 50mm. To say I was excited getting my hands on a mint Nikon LTM 50mm f1.4 without any flaws or dust, fungus etc in the glass, well excited would be an understatement.  Continue reading “The Nikon LTM 50mm f1.4 Lens Review”